The Death of the Audience. A performance about the nature of spectatorship – the expectations, relationships, tensions and roles that each individual or group takes on a spectacle situation. Through the languages of dance, video, physical theatre, poetry and sound, this performance presents an absurd essay about the spectator, and his responsibility, action and passivity in a mass scale.  A series of actions for an audience in movement, where the choreographies made of distances and power, inherent in any type of ritual or show, are deconstructed.